2025-04-18
論文徵稿．CALL FOR PAPERS「第六屆臺灣與亞洲電影史國際研討會」
Please see below for the English version of the Call for Papers.
【徵求論文摘要公告】
第六屆臺灣與亞洲電影史國際研討會
電影中的戰爭，戰爭中的電影
War in films and films during war time
時間：2025 年 8 月 23─24 日
地點：國立政治大學傳播學院
主旨：
本屆研討會以「電影中的戰爭，戰爭中的電影」為主題，旨在探討戰爭與電影之間的交互影響。戰爭作為電影中的經典題材，既是歷史與現實的縮影，又是文化表述的重要媒介。我們歡迎研究者從不同學科視角，對戰爭與電影之間的多元關係進行深入分析。
徵求論文主題：
戰爭電影的敘事與視覺風格：如何在銀幕上呈現發生在亞洲的各個戰爭？其敘事結構、影像風格及技術如何影響觀眾對戰爭的理解？
戰爭與國族認同：亞洲與台灣電影如何塑造、強化或質疑戰爭中的國族、種族與政治身份？戰爭電影在不同行業、國家或時期中的意識形態角色。
歷史與記憶的再現：電影作為歷史敘述的工具，如何重新呈現戰爭歷史？電影在重構歷史記憶中的功能與限制。
性別與戰爭電影：戰爭電影中的性別角色，如何呈現男性、女性在戰爭中的經驗與權力關係？是否挑戰或強化既有性別刻板印象？
跨文化比較：不同亞洲國家或地區的戰爭電影有何異同？是否表現出特殊的文化特質或戰爭觀點？
技術與美學創新：戰爭電影如何運用技術手段（如視覺特效、音效、攝影技術等）來表現戰爭場面？其對電影語言和美學的貢獻。
電影與冷戰、後冷戰、新冷戰的相關性研究：從冷戰、後冷戰與當下新冷戰時期的電影活動，特別是亞洲地區在多元對抗形式之下的電影現象研究。
本研討會也關注其他主題並開放徵稿，包括但不限於以下題綱：
跨國、跨地區電影合拍與接收分析。
影展與亞洲各國電影產業與市場之關聯研究。
亞洲各種類型電影比較分析研究。
明星、演員的形象流轉與跨國接收情形。
冷戰結構下的電影生產與展映（如：亞洲基金會、亞洲影展、影業自由總會等等）。
電影與其他文學藝術形式的互動實踐。
電影審查制度研究。
電影中的性別形象研究。
亞洲各國對於電影產業資助研究。
摘要繳交說明：
論文摘要請於 2025年 5 月 30 日前以電子郵件送達：icfhta@gmail.com
主旨請註明「第六屆臺灣與亞洲電影史國際研討會論文投稿」，並隨函附上個人簡歷、電話、地址或其他聯絡方式
論文主題與摘要以中文或英文為限，字數限 800 字以內
相關注意事項：
論文摘要截止日期：2025 年 5 月 30 日
研討會論文全文截止日期：2025 年 7 月 31 日
研討會日期：2025 年 8 月 23 - 24 日
會議主要以中文進行，可用中文或英文發表論文，不設現場翻譯。
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主辦單位：國立政治大學傳播學院、國立政治大學亞際文化研究國際碩士學位學程
協辦單位：台聯大系統-政大辦公室、國家科學及技術委員會、國立臺灣大學外國語文學系暨研究所、國立中央大學、國立臺北藝術大學、國家電影及視聽文化中心
【Call for Papers】
The Sixth International Conference on the Film Histories of Taiwan and Asia Cinema, 2025
Wars in films and films during war time
Date: August 23-24, 2025
Venue: College of Communication, National Chengchi University
The theme of this year's conference is “Wars in films and films during war time.” As one of the most enduring subjects in film history, war not only reflects historical realities but also functions as a potent medium of cultural expression. This conference seeks to examine the multifaceted relationship between war and cinema, and how these two forces have shaped and informed one another across different historical, cultural, and geopolitical contexts. We welcome submissions of research papers on related topics and invite distinguished scholars to deliver keynote addresses that further enrich the discussion.
Sample Topics:
Narrative and Visual Style of War Films:
How are wars in Asia portrayed on screen? How do narrative structures, visual styles, and cinematic techniques shape audience understanding of war?
War and National Identity:
How do Asian and Taiwan films construct, reinforce, or question national, racial, and political identities during wartime? What ideological roles do war films play across different industries, countries, or historical periods in Asia?
Representation of History and Memory:
As a tool of historical narration, how does cinema re-present the history of war? What are the functions and limitations of film in reconstructing historical memory?
Gender and War Films:
How are gender roles portrayed in war films? How do these films depict the experiences and power dynamics of men and women in wartime? Do they challenge or reinforce existing gender stereotypes?
Cross-Cultural Comparison:
What are the similarities and differences in war films from various Asian countries or regions? Do these films express distinct cultural characteristics or perspectives on war?
Technological and Aesthetic Innovation:
How do war films utilize technological tools (such as visual effects, sound design, and cinematography) to depict battle scenes? What are their contributions to cinematic language and aesthetics?
Film and the Cold War, Post-Cold War, and New Cold War:
A study of film phenomena during the Cold War, post-Cold War, and current New Cold War periods—especially in Asia—under various forms of confrontation and ideological conflict.
We also call for other paper topics, such as:
Taiyupian studies: including (but not limited to) individual director studies, star studies, and studio studies.
Analysis of co-productions and reception of films across countries and regions.
Research on the relationship between film festivals and the film industries in various Asian countries.
Comparative analysis of various types of genres in Hong Kong and Taiwan in the 1970s.
Research on the development of Mandarin films by various film companies in Hong Kong.
Transformation of the images of stars and their international reception.
Film production and exhibition under the Cold War era.
Interaction among film and other literary and artistic forms.
Study of censorship systems in the film industry.
Abstract Submission:
Please submit abstracts via email to: icfhta@gmail.com by May 30, 2025.
Please indicate "Submission for The Sixth International Conference on the Film Histories of Taiwan and Asia Cinema" in the subject line, and include a brief personal resume, telephone number, address, or other contact information in the email.
Abstracts should be in Chinese or English, limited to 800 words or less.
Important Information:
Deadline for paper abstracts: May 30, 2025.
Deadline for full papers for the Conference: July 31, 2025.
Conference dates: August 23 - 24, 2025.
The Conference will be mainly conducted in Chinese. Papers can be presented in either Chinese or English. No simultaneous translation available.
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Conference Organizers and Sponsors
Organized by
College of Communication, NCCU
International Master’s Program in Inter-Asia Cultural Studies, NCCU
Sponsored by
NCCU Office, University System of Taiwan (UST)
National Science and Technology Council (NSTC)
Dept. of Foreign Languages and Literatures, NTU (DFLL, NTU)
National Central University (NCU)
Taipei National University of the Arts (TNUA)
Taiwan Film and Audiovisual Institute (TFAI)
GITL, NTU)
